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The Answer To That And Many Other Questions.

Esjayell
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Joined: Feb 2024
#1 28 Dec 2024 at 5:21 PM 82 views
I have been asked a question by several members of different forums where I post. Up until now I have never answered that question primarily because it could potentially derail the thread, which is something we all hate. Now I’m going to answer that question, and probably several others along the way.

The question usually takes the form of ‘Do you get approached by members of the public when you’re outdoors with one of your girls?’ The simple answer to this is ‘Yes.’ However I’m going to expand on that answer in detail.

The first time I was spoken to was when I was with Elina filming her second Keep Fit With Elina video, the run. Elina had just finished doing one of her pieces to camera, when I noticed a woman standing at the top of the steps getting her breath back after the epic climb, and watching me as she did so. I nodded in acknowledgement of her existence, she apologised for disturbing me and then asked politely what I was doing.
The top of the steps where the woman was resting.
I came up with a totally rational and potentially true account that I was doing something for my grand-daughters’ university project, being retired they (my grand children) always assume I have the time to spare. To this she agreed, and seemed satisfied with my reasoning even though I never mentioned exactly what I was doing. I asked if she would like to see Elina, to which she replied something along the lines of “Oh no, she’s rather scary!” She then bade me goodbye and went on her way. Little did she know that everything I told her was complete fiction apart from Elina’s name.
The next time was outside my house, I had just got Elina seated, settled and belted, picked up the camera for the intro shot of her grand day out, when two mid to late teenage girls came silently up behind me, looked in at Elina and one said to the other or maybe it was to me “Aww cute!” I couldn’t agree more. Later that day two things happened, we had got to the picnic site, the wicker basket was placed on the ground and Elina was placed seated alongside. I opened the lid, the support for it was missing. Not wanting to change my plans for the photo I had to improvise quickly, I was more concerned about the basket than I was with Elina. One of my mistakes was not posing her legs correctly, no woman would ever sit with her legs in that position (girls Yes, women No), unless they're on a beach and sunbathing. 
I got the lid to stay open. Placed her left hand on the top, her right was underneath lifting it so she could just see in. I moved back, got into position and took the photo. I moved into a different location and noticed that I had moved her hair, her left ear was exposed together with a small segment of wig cap, I moved her hair back and took that photo. I continued to circle Elina taking pics.
It wasn’t until we got home and I loaded the pics on to the laptop and went through them that I noticed something in the background of the first of the picnic shots. There was a child with a toy dog, just beyond her was a real dog looking up at the pack leader trying to get attention, the woman was completely ignoring the dog, she was intensely watching me with Elina. I have no idea what she was thinking, but I’d love to know!

When we reached the second location at Severn Beach, I had gotten Elina out of the car and was holding her in my arms as I made my way to the wall, I hadn’t noticed until almost the last moment that a couple were walking up towards us with their two dogs, they turned right onto the grassy bank as I placed Elina in position on the wall.

I moved her left leg then moved onto her right, it was surprisingly tight, as it relented it squeaked rather loudly and that resonated through the steel tubes of her skeleton. The couple turned to see what made that noise, I’d already moved back out of their view, all they saw was Elina sitting quietly on the wall watching their dogs!
When we returned to take the silhouette shot, the couple were sitting on the bench with one dog underneath and the other to their right. Little did they know that we had returned and now they were in the photo too.

Around this time last year I purchased my Christmas present to myself, a Cannon DSLR with two zoom lenses. I got it for two reasons, the first because my Olympus was very close to its end of life, the zoom had stuck and it was getting through battery power at a rate of knots, secondly this camera, being a point, shoot and hope for the best was not the type professional photographers would use for photoshoots. I needed something a lot better and more convincing, especially where there’s people, as I was about to find out.

July 2024, Photoshoot with Rosina in Leigh Woods, we had done a few shots before Rosina went to sit on a log, camera on its tripod facing Rosina, close and side on to the car with its tailgate open and the open camera bag clearly visible. I took some shots, repositioned Rosina and continued shooting. I heard a branch crack behind and to my left, I looked around. There was a middle aged or thereabouts woman walking towards us. She apologised for breaking my concentration then asked what I was doing, most of the time she kept glancing at Rosina. I’m sure she was puzzled why Rosina hadn’t turned or looked up to acknowledge her, she just stayed in the same position. Quickly realising that my fictitious grand-daughter with her equally fictitious university project would not work this time. I decided on a radical approach, I’d tell the truth, well a version of it.

I explained that Rosina was a life size, fully articulated photographic mannequin, more commonly called a photographic doll. The reason they are used instead of models is because they can hold a pose for hours if needed without moving or complaining that they’re getting stiff. They don’t need paying, nor do they require breaks for tea, coffee, toilet, lunch or cigarettes. While she was contemplating this, I thought it was time for a question. Have you heard of DoBeDo International? Before she had time to consider it I followed with the tag-line DeDumDeDumDeDum, DeDumDedum. People like me from all over the world who photograph their dolls post their photos there. She seemed genuinely interested in what I had said, as she moved away she said thank you, I’ll leave you to it. Instead of coming off the path to the left of Rosina and in front of me, she chose the pathway in front of Rosina. I soon found out why, as she got close she took out her phone and took one or two photos of her. Had she have asked I would have suggested she stay and we could take some photos together.

I’m seriously considering getting two pairs of signs made with that name and tag-line produced, one pair from stainless steel for positioning each side of the tripod (think along the lines of the bench at Portishead one sign in line with each of the bench ends between the bench and the tripod), the other pair made from Correx, being ‘plastic’ they could be hung from the roof bars of the car without damaging the paintwork.

Next time: How Elina's Beach-days were filmed.
Carly
Fantasy Doll
Joined: Nov 2023
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#2 28 Dec 2024 at 7:26 PM 82 views
Lovely true story , thanks for sharing 👍

From all at mr tracks … Carly xxx
Esjayell
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#3 28 Dec 2024 at 11:19 PM 82 views
Filming Elina’s Beach-Days

Weston-s-Mare

Towards the end of the summer season (I live close to coastal resorts and know them well), I took Elina for her beach days. The first two took two days to film. The first day was getting the intro filmed and deciding where to locate for filming the main segment. The first was at Weston super Mare, the intro I filmed twice. The first version was with the Olympus camera (which was used for the main segment) this showed the walk along the approach road and the walk down the pedestrian ramp to the beach which precedes the ramp for vehicles, the second version, filmed on my phone, showed a pan of the beach area and the walk down the vehicle ramp with a clear view of the vehicles parked on the beach. This was the one used due to three reasons, i). The Bristol Channel has the worlds second highest tidal range, https://naturalresources.wales/media/674506/mca-28-bristol-channel-wales-_-final.pdf'" target="_blank">(page 2 on the link) and the tide was coming in and looked blue, previously unheard of, let alone seen. ii). The microphone on the phone wasn’t as sensitive as the Olympus and didn’t record as much wind, especially on the beach. iii). It established that parking was allowed on the beach. During the season you have to pay for parking on the beach, in 2019 I believe it was 5.00 per day until 18.00 thereafter it’s free.
The pedestrian access to the beach precedes the vehicle access where I came down.


The main segment was filmed on the second day when the car parking on the beach was free and the majority of beach goers were either heading home or to their respective hotels. I parked on the beach at ninety degrees to the wall and quite close to it. My car served as a block for anyone coming down the ramp, they couldn’t see what was happening on the other side of it! 
I parked just in front of the wall a few feet from the base of the sand dune.


Burnham on Sea

The esplanade runs along the whole of the bay, being higher it overlooks the beach. However a short distance away towards Weston s Mare there is quite a high bank of sand dunes with wild grasses and bushes, which is an ideal location apart from being a bit of a trek with 28kgs of soft, squidgy material that means so much to you, the sun lounger and a shopping bag containing the tripod, camera, Elina’s packed lunch and bottle of wine. After doing the intro filming on day one and getting the locations sorted, both where to park and where I’d film from. 
Day two: I had the trek to the beach. Elina was wrapped in an old thick blanket to protect her from the various stops I would make in getting her from the car to the beach and the return trip back to the car. The only place she could sit was the sandy bank on the side of the path which contained grasses, stinging nettles and a multitude of other undesirables. In the video it looks like Elina was sunbathing opposite the wooden lighthouse, she wasn’t. She was just past the point where the path comes down to the beach.

Weymouth
The approach to the beach.
The Boat Cafe (Right Centre) extends onto the beach, we were on the far side of it.
On the beach establishing our location and the height of the South West Coastal Path. This was not where the actual filming took place.


This was the most challenging of the three, the south west coastal path is only about eighteen inches above the beach and is usually crowded with people. Day one: Filming the intro, the segment where Elina walks to the waters edge and her return establishing the location of the beach mat and the segment where she hears something and looks down the beach to the waters edge. The walk from the nearest car park was quite a trek through the roads in the town, not a route I would want to take Elina. I had to come up with a solution and quick. I took a walk along the south west coastal path towards the fort, I soon noticed it, a car parking area very close to the beach and with a wall surrounding a planted area. I could park there, get all the things needed and placed on the beach, then I could get Elina out, sit her on the wall, close the door and lock the car, collect Elina and head straight for the beach with her in my arms. There were just three questions in my mind, all had totally variable answers. The first was where could I park in safety from the parking enforcement officers, the second was how long would I have to wait for that particular bay to become vacant, and the third was could I get in it before someone else grabbed it.
Look for Google at the bottom, find the Esplanade, between those you’ll see the vacant parking bay by a tree, that’s the one we wanted and got!

Day two: We arrived in Weymouth between early to mid afternoon, I followed the signs to the docks then turned left onto The Esplanade, drove down a bit and found a space that was almost opposite the bay we wanted, but of course there was a car in it. We had to wait…. eventually I noticed someone approaching with a slightly more determined step than the others on the coastal path. He moved out into the road and got his keys out…. I watched and waited, the indicators flashed, he approached the door and I pushed the key card back into its slot. He opened the door, my finger was poised in front of the start button. The engine of his started as did mine, we both moved, him in reverse me forward, as he stopped to change from reverse to first I swung around and came up behind him. I flashed my lights to signify I was letting him out, as he went I pulled into the now vacant bay. We had done it! All I had to do now was set everything up on the beach and begin filming.

Filming was completed in an hour and we were on our way home. A few days later and the videos and photos were uploaded and entered on the video editor. Then I noticed something. Something was missing. We didn’t film the end while we were there, another trip to Weymouth was needed. A week or so later I was once again on Weymouth beach with the tripod, camera and the beach mat. With the camera running I folded the beach mat and pulled it, folded it over and pulled it again, and again, and again. When it was fully folded I shut off the camera and put everything in the shopping bag except the camera. Now I filmed part of the walk back to the car park. We began filming at the end of the Summer season and finished at the end of Autumn beginning of Winter.
Look at these screenshots from the end of the video, notice nothing remains on the beach, the railings too have been covered with tarpaulin to stop the seawater flooding the road during the winter. Did you notice this?
Esjayell
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Joined: Feb 2024
#4 28 Dec 2024 at 11:22 PM 82 views
A Little About Me.

When I was 4½ years old I was taken to a photographic studio to have my picture taken professionally. The photographer had me stand at an oblique angle to the camera, looking over to my right with my left hand on the back of a chair. This was fundamental in making me realise that ‘face on’ shots are not always correct. More interest is developed when the subject is looking away, a more ‘candid’ shot.

I began taking photographs from quite a young age, circa 7 or 8 using my mother’s Box Brownie. They were quite a challenge, you could have the camera in either portrait or landscape mode, both had a viewfinder. The image you saw was upside-down. Move the camera up the image went down, move the camera down the image went up, sideways too would be opposite. The shutter release was your finger. Press and hold it too long it would be over exposed, release too quickly it would be under exposed. Of course you didn’t know that until you got your photographs back from developing and printing! I got my first camera on its launch in 1963 an Ilford Sprite 127. The shutter release was, as far as I can remember, automatic.


I obtained a ‘Saturday job’ aged about fourteen or fifteen in a local Estate Agents, my job was to photograph properties that had not had their photograph taken for the sales particulars (incorrectly referred to as ‘the details’). Along with the list of properties, I was given a ‘correct way to do’ list that detailed exactly how the photograph should appear. Naturally I was curious as to why? I asked my employer if, when he had some free time, he would explain it to me. Thankfully he did, I learnt so much from him.

That, coupled with my discovery when I was 4 ½ that it’s not obligatory to look straight at the camera, is how I take my photographs today, just as it was when I was a young teenager. It may surprise you to know that the tree in the field photograph used at the end of our videos (the Ells tree) is also photographed at a slight angle! I’m not saying what I do is correct, only that it is what I had seen and had learned, it seems to work and that’s good enough for me. The only time Elina is photographed looking at the camera is when she’s doing one of her keep fit videos, because she is talking to the viewers ‘inside’ the camera.

Regards

SJ L
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